Exbrit Posted June 28, 2014 Posted June 28, 2014 Rank and add your opinion of the 1871 - present St. George and Dragon design on the Sovereign reverse (except for 2005 &2012)2005 design 2012 designExpected results;1871 design2012 design2005 design - which is disliked immensely Quote
Nick Posted June 28, 2014 Posted June 28, 2014 Of those 3 designs, I like the 2005 reverse design the best. Quote
Peckris Posted June 28, 2014 Posted June 28, 2014 1. Pistrucci - 100%2. 2012 - 80%3. 2005 - 55% Quote
Exbrit Posted June 29, 2014 Author Posted June 29, 2014 Interesting - I didn't think anyone would like the 2005. I just picked one up cheap. Quote
Mr T Posted June 29, 2014 Posted June 29, 2014 1871 - Appropriate design for a coin.2012 - Too cartoony, but less cartoony than the 2005.2005 - Too cartoony. Quote
brg5658 Posted July 2, 2014 Posted July 2, 2014 In order of favorite to least favorite, I would go with 1871, then 2012, then 2005 (least favorite).For the sake of completeness, below are the 3 different designs referenced: Quote
damian1986 Posted July 2, 2014 Posted July 2, 2014 It's a shame that St George is falling asleep on the 2012 piece and that 2005 was put together as a stick-and-paste job with a St George that looks like a mildly aggrieved Reg Holdsworth squinting after having lost his glasses ("al gi' thee a backhander lad who doest' think ya are wit' one wing 'n no belly?")Bringing the 1935 crown into the equation and the order would be 1871, 1935, 2012, 2005. There are some nice St. George and Dragon designs on the older German talers and some Italian and Hungarian coins which would make for a more difficult comparison but Pistrucci still wins this one for me. Everything he did seems to have attached a real sense of grandeur and his works were deeply rooted in the works of the ancient past. The modern pieces, whether aesthetically pleasing to you or not, completely lack substance. Quote
Peckris Posted July 2, 2014 Posted July 2, 2014 It's a shame that St George is falling asleep on the 2012 piece and that 2005 was put together as a stick-and-paste job with a St George that looks like a mildly aggrieved Reg Holdsworth squinting after having lost his glasses ("al gi' thee a backhander lad who doest' think ya are wit' one wing 'n no belly?")"You buy one you get one free I said you BUY one you get one free..." Quote
Paulus Posted July 2, 2014 Posted July 2, 2014 It's a shame that St George is falling asleep on the 2012 piece and that 2005 was put together as a stick-and-paste job with a St George that looks like a mildly aggrieved Reg Holdsworth squinting after having lost his glasses ("al gi' thee a backhander lad who doest' think ya are wit' one wing 'n no belly?")Bringing the 1935 crown into the equation and the order would be 1871, 1935, 2012, 2005. There are some nice St. George and Dragon designs on the older German talers and some Italian and Hungarian coins which would make for a more difficult comparison but Pistrucci still wins this one for me. Everything he did seems to have attached a real sense of grandeur and his works were deeply rooted in the works of the ancient past. The modern pieces, whether aesthetically pleasing to you or not, completely lack substance. REALLY like that one Damian! Quote
Coinery Posted July 2, 2014 Posted July 2, 2014 There is something about class that cannot be undermined by the multiple attempts to create a new improved contemporary design. George V tried it, and so have others!Pistrucci every time! Quote
Paulus Posted July 2, 2014 Posted July 2, 2014 With the choice of those 3 it's a no-brainer for me, Pistrucci for me too Quote
Exbrit Posted July 3, 2014 Author Posted July 3, 2014 So far the results are as expected:6 for the Pistrucci design (1871 example)1 for the 2005 design With most placing the 2012 between the 1871 and 2005 Quote
brg5658 Posted July 3, 2014 Posted July 3, 2014 I am actually quite fond of this proposed (fantasy) design. i would vote for this rendition over both the 2012 and the 2005 designs that made actual sovereigns... Quote
Asumel Posted July 3, 2014 Posted July 3, 2014 I am actually quite fond of this proposed (fantasy) design. i would vote for this rendition over both the 2012 and the 2005 designs that made actual sovereigns...I really like this one,My order would go1871193620122005 Quote
Peckris Posted July 3, 2014 Posted July 3, 2014 I am actually quite fond of this proposed (fantasy) design. i would vote for this rendition over both the 2012 and the 2005 designs that made actual sovereigns...Yes - though it's highly derivative of Pistrucci, nevertheless it's a classy design, far superior IMO to the 1935. Quote
bagerap Posted July 3, 2014 Posted July 3, 2014 It's a shame that St George is falling asleep on the 2012 piece and that 2005 was put together as a stick-and-paste job with a St George that looks like a mildly aggrieved Reg Holdsworth squinting after having lost his glasses ("al gi' thee a backhander lad who doest' think ya are wit' one wing 'n no belly?")Bringing the 1935 crown into the equation and the order would be 1871, 1935, 2012, 2005. There are some nice St. George and Dragon designs on the older German talers and some Italian and Hungarian coins which would make for a more difficult comparison but Pistrucci still wins this one for me. Everything he did seems to have attached a real sense of grandeur and his works were deeply rooted in the works of the ancient past. The modern pieces, whether aesthetically pleasing to you or not, completely lack substance. REALLY like that one Damian! This St George is based on a Mansfeld thaler of 1521. Quote
Peckris Posted July 3, 2014 Posted July 3, 2014 It's a shame that St George is falling asleep on the 2012 piece and that 2005 was put together as a stick-and-paste job with a St George that looks like a mildly aggrieved Reg Holdsworth squinting after having lost his glasses ("al gi' thee a backhander lad who doest' think ya are wit' one wing 'n no belly?")Bringing the 1935 crown into the equation and the order would be 1871, 1935, 2012, 2005. There are some nice St. George and Dragon designs on the older German talers and some Italian and Hungarian coins which would make for a more difficult comparison but Pistrucci still wins this one for me. Everything he did seems to have attached a real sense of grandeur and his works were deeply rooted in the works of the ancient past. The modern pieces, whether aesthetically pleasing to you or not, completely lack substance. REALLY like that one Damian! This St George is based on a Mansfeld thaler of 1521.Wow, Mansfield was issuing its own talers in 1521? Quote
brg5658 Posted July 3, 2014 Posted July 3, 2014 I am actually quite fond of this proposed (fantasy) design. i would vote for this rendition over both the 2012 and the 2005 designs that made actual sovereigns...Yes - though it's highly derivative of Pistrucci, nevertheless it's a classy design, far superior IMO to the 1935.Aren't all St. George depictions highly derivative? This one is not even close to a rip-off of Pistrucci -- which, for the record, Pistrucci's work was a derivative of intaglio works he saw in Italy; he has been accused (with quite damning evidence) of having ripped off most of his St. George design himself. Quote
Chris Perkins Posted July 3, 2014 Posted July 3, 2014 I think that makes it art imitating art, imitating art, imitating art, imitating life, imitating legend. Quote
Peckris Posted July 3, 2014 Posted July 3, 2014 I am actually quite fond of this proposed (fantasy) design. i would vote for this rendition over both the 2012 and the 2005 designs that made actual sovereigns...Yes - though it's highly derivative of Pistrucci, nevertheless it's a classy design, far superior IMO to the 1935.Aren't all St. George depictions highly derivative? This one is not even close to a rip-off of Pistrucci -- which, for the record, Pistrucci's work was a derivative of intaglio works he saw in Italy; he has been accused (with quite damning evidence) of having ripped off most of his St. George design himself. I didn't say a 'rip off', I said 'derivative', which is unarguable when you consider that the design IS actually very close in concept and elements and pose, though not I agree in actual executed detail. I think that makes it art imitating art, imitating art, imitating art, imitating life, imitating legend. Quote
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