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jelida

Accomplished Collector
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Everything posted by jelida

  1. Most of us, and certainly the major texts, would consider a valid variety to be a reflection of the design (including possible errors) punched/engraved on the die, rather than subsequent die wear or impairment due to accumulated crud. However there are a few notable exceptions such as the ONF penny which seem to have developed a following. Otherwise striking errors are considered more of an interesting curiosity than true variety, though they do have specialist collectors. Clearly, but rarely, things can change. In the case of your penny, if it could be positively demonstrated that the Royal Mint (or Heaton) did produce a small run of intentionally 'no H' pennies, then an altogether different view might be taken. It certainly is unusual for the H to be totally absent, so enjoy the coin for itself and the debate it can generate. Jerry
  2. The CC coin! Well done Pete. 1911 Gouby X commoner than 1926ME? Must keep looking! Jerry
  3. That is nice, Pete, one I'm looking out for as I try to improve my C20 penny collection. Jerry
  4. What you did was perfectly fair, Matt, let the bidder decide for himself based on the photo. I was watching this, being unsure, but after comparing it with better examples decided not to bid. Others felt it a risk worth taking, and there is clearly an element of uncertainty even with it in the hand. Jerry
  5. I'm not sure I'd attempt a positive id on either of the last two objects from the pics, really not enough evidence as to function; in fact I don't think either would have got beyond my scrap metal bucket (surprising how much I get from the scrappie every few years). Here are a couple of my Roman Fibulae over the last couple of years.
  6. I think in a ridiculously overembellished way they are trying to sell the coin shown in the body of the ad, which looks OK, rather than the ghastly replica illustrated. Why all the c**p about the secure storage? And every genuine coin is apparently 'microscopically laser marked' for heavens sake, anybody ever hear of that? Jerry
  7. Well done Non, quality coin! Do post a photo when it arrives.
  8. You wont have any dosh left for the LCA then, Pete............. Lovely coin, just as good in the hand, or at least slab. I was very tempted by the 1919kn at the Midland, had it out of the case three times, but eventually felt the spot on the reverse was just too offputting, and in a way it was 'too' clean and shiny compared to the other lustrous coins around it; not entirely logical I accept , but I decided to keep my powder dry; a phrase the meaning of which has rather migrated for the younger generation. Sniff. Sniff. Jerry
  9. The coins you're buying, it'll be me stalking you! That coin is a stunner, if you paid less than Ian was asking, I dont think you overpaid. Jerry
  10. Is that the 1913 you were looking at from Ian? Lovely coin, I'm not surprised you went back for it. Jerry
  11. I had a good pore over these at the Midland on Sunday, but couldn't quite persuade myself to take the plunge. The 1919 apparently was sourced from France, the 1926 was from the last LCA of course. Jerry
  12. Brings back so many memories. So sad, the premature loss of a creative genius. I'll be dusting off the vinyl today as well. Jerry
  13. Hi Prax, great to hear from you, and that is a lovely penny, I'm still after a decent one of those. I don't know if you come to any of the South Wales and Mon Numismatic Soc meetings, but I an giving a short presentation on the Victorian bronze pennies at the Feb meeting, might be quite local to you, nothing new or earth shattering, they are just desperate for speakers and I got volunteered. Will try to bore them with micro varieties. Jerry
  14. Looks likely, George. Like the crotal bell. They are very scarce on our side of the Severn. I have I think two from my 30 years hunting. Jerry
  15. The second coin is a 1580 sixpence of Eliz I, mm long cross. Jerry
  16. Very nice, I've only ever found one of those.
  17. Nice thimbles, I would place them both late C18 to early C19. The left hand one is quite unusual. Jerry
  18. I vaguely remember something like this as a kid, a big loop of string was passed through the two holes, held by a finger at each end. It was spun, and by alternately stretching and slackening the cord, it could be made to spin first one way, then the other, emitting a whistling noise when rotating. I cant remember if mine was lead, but it did need to be fairly heavy material to provide momentum. Had my first hammies of the year today, a very worn Lizzie halfgroat and an early C17 copper farthing. Jerry
  19. Another offering from Shelly; http://www.ebay.co.uk/itm/1874H-QUEEN-VICTORIA-PENNY-FREENAN-69-OBV-6-REV-I-R16-RARER-THEN-GOLD-EF-/301840907471?hash=item46471ebccf:g:RWoAAOSwa-dWi-3V not F69 sadly; in fact if you look at the other listings, many are self-slabbed with gross over-grading , several mis-identified and all over-priced. Not a good advertisment. Jerry
  20. Good id George, probably quite a rare button ; there will be local collectors out there. Jerry
  21. Totally disagree. If you disc out lead, not only will you miss seal matrices, lead tokens, Roman votives, cloth seals, pilgrim badges and ampullae and many other historic items, you will also lose depth on tiny hammered and celtic with most machines. And I always keep scrap lead, more than pays for the batteries. On ancient sites, dig everything but iron! Even scrap lead and shot are a good indicator of land usage. Jerry
  22. Secondly, an Early Bronze Age miniature flat axe head , approx 2000 BC. These were previously described as 'votive' but now thought simply to be small axes for finer work. It is currently in the National Museum of Wales for recording and metal analysis (the earliest of these were pure copper). Jerry
  23. I have no idea on that one, never seen anything comparable, though it is unlike the Bronze age anvils on the BM site. It's certainly taken a battering. Here are a couple of my finds in the last few weeks, hardly been out in this awful weather. Firstly a C14-15 harness pendant, much red enamel remaining. The Lion rampant was a fairly common motif used by several prominent families, I haven't yet pinned it down, but likely to have had SE Wales connections. Jerry
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