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  2. It could certainly be a die flaw. If a developing crack in a working die has only a surface ‘gape’ then the ridge on the struck coin will be shallow and appear to run under the letters. If the crack is more advanced with a deeper gape, deeper than the incuse letters on the die, then the flaw when struck will appear to run over the letters. Statements on Facebook and other forums are just opinions, not necessarily truths. Perhaps that includes mine? Jerry
  3. A coin that is well strike with original surfaces should be the primary factor in determining value. But one should also consider how that coin measures up to others of the same date and series. Not all coins at the same grade level are created equal. While TPG influences asking prices, the primary focus should be the coin more so than the holder. Grade Opinions of a coin can change over time. I think this is especially true given the total quantity of certain coins that have been seen and graded at the higher end of the grading spectrum. I am less concerned about which TPG co graded the coin in contrast to the attributes of the coin itself. The real question is what are my chances of finding a better or more pleasing example of the current coin under consideration? Is this coin as good as it will get for me?
  4. Today
  5. My initial observation is simply this… they have not sold yet and it would appear they are entertaining offers.
  6. Bronze & Copper Collector is right in that my question is is about the Whitman blue bookshelf album with the clear vinyl/plastic inserts which supports the coin and provides the ability to see the obverse and reverse. I looked at the copyright date on the Gb Silver Type Set which is 1961. I suspect back in the day these would have retailed in the £2-3 range. Thus far, the responses have been somewhat helpful. Everyone remembers the folders there were inexpensive and easily available back in the day and not the book shelf albums because they likely had a smaller or more limited distribution.
  7. Yesterday
  8. Somebody has pointed out the following " there's definitely something there and it can't be a die flaw as it's underlying.. " What options remain if its not a die flaw please? And is that a fair observation the fact the anomaly is underlying? Do you agree? An underlying anomaly could only be introduced by human alteration of the die? Is that not the definition of a variety? If thats the case what would be the most likely reason or cause of alteration or changes to the die? Does this not lean towards a repunched/re-engraved letter or trace of? If the above is correct, what could be the possble options for the underlying feature, could what we see be anything other than a T?
  9. pretty sure they stopped selling them in the early eighties it coincided with a 20% -30% drop in the collectable coin market at a guess 1981 or 1982. They have never been for sale except in the second hand market since.
  10. Even with a single punch the apparent width etc can vary slightly as the edge of the punch is bevelled to prevent it sticking so the heavier the blow the wider the digit will appear. This variability is due to the hand punching of the master dies. Jerry
  11. Im pleased to own one of the few that was made in London for 1882! Taken from the RM website: In 1810, we left the Tower of London and moved to a new purpose-built facility at nearby Tower Hill which could better accommodate steam-powered machinery. Eight massive presses stood in the Coining Press Room, each capable of striking about 60 coins a minute. In the 1880s, the factory buildings were reconstructed and smaller, faster and quieter machines replaced the presses. At the turn of the twentieth century, steam power gave way to electrification and master tools were increasingly produced using reducing machines. Instead of engraving by hand, at size in steel, an artist could prepare a larger plaster model. A mould was then taken and electroplated with nickel and copper, yielding a reproduction known as an electrotype that could be mounted on an engraving machine and scanned. These movements were communicated to a rotating cutter, which copied them at coin size into a block of steel.
  12. Very popular. I remember as a schoolkid in the late 60s that Whitman folders and Sandhill cases were THE main holders for coin sets - the Whitmans for date runs, the Sandhill for type or year sets.
  13. "During the Victorian era, coining presses were entirely mechanical. " Really? I thought that around 1882 they changed over to electrical, which is why virtually the entire 1882 penny mintage was done by Heatons while they were converting?
  14. Update the seller said I can return the coin if not happy so Im going to go for it.
  15. Thank you, I made one last observation; (Now il move on😅) The T in Victoria has a much thinner crossbar when layered over the image possibly fits better. Would there be a punch for each style of a single letter? So a punch for the T in Victoria and a seperate punch for T's in BRITT? The attached image shows the original image, the layered image and the two seperate styles of T found on the same coin, it also points out a potential faint line of the right serif and the layered image shows the location of where the two serifs would intersect. Thanks.
  16. Thanks alot ! I have asked if they will sell upon approval, also asked for extra images. Not sure if you remember the coin in the attached imaged but when it arrived the apparent crossbar of the T was nowhere to be seen?? Reminds me of that...
  17. I wouldn’t put much faith in the AI ‘facts’ and suppositions without reliable references that can be confirmed or are contemporary. We have an issue here in that once published on an academically respected forum such as this search engines and future AI searches will in turn propagate this thread leading to the AI pronouncements gaining traction. While elements of the AI interpretation may be logical, we should make it clear to future readers that it is an opinion (machine generated) and a starting point for careful research rather than being worthy of quote as a matter of fact. Jerry
  18. You’ve put in some good work there, but sadly the original sellers image is not sharp enough to be confident either way. Can you get it on approval? Most professional sellers would do that. Otherwise it’s a balance of lower likelihood of very significant gain against a higher likelihood of moderate loss. Might be worth trying to get a clearer photo from the vendor. Good luck! Jerry
  19. One last detail, at the very tip of the red arrow there is a possible faint outline that could represent the right serif of the T. The tip of the yellow arrow marks where the I serif should stop and there also appears to be a faint line.
  20. The imagination is running wild now I know; if a mint worker went to repunch the T using a T punch and suddenly realised at the last moment the punch wash infact over the I and the punch was struck partially could this little visible flaw be the result of that? I know all too well using a metal punch when marking base metal objects with my makers mark if the force is not right and the punch is not perfectly square to the object half of the imprinted mark is often missing.
  21. Its quite expensive, the coin is for sale so I dont have it in hand and the images are all thats availible. The penny is from the 1870s, not a rare pairing. For the price of over 100 there is no luster and the coin is not anything special in my opinion. Concerning location of the serif I made a layered image Jerry to show the serif is actually quite close in terms of location. If I had the coin to hand I could look closely and take macro images. Thanks for the input so far.
  22. Thank you for the response it's frustrating this type of enquiry ofcourse I have a hopeful imagination but also have learnt things are more often than not what they seem.
  23. In the attached image I have rotated the image and layered the T over the I from left to right I have faded out the top layer with T becoming more transparent from left to right.
  24. I think it may be worth a punt if not too expensive if you don’t have it in hand. The issue could certainly be clarified by microscope close-ups. It’s worthy of note that you see virtually no letter repair errors after the first three or four years of bronze penny production so the date might be relevant too. A die flaw can certainly flow through a letter but an overstrike is not impossible. Jerry
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