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Posted

Often when Una and the Lion's are mentioned, you first imagine gold! For me, it will always be this gorgeous silver pattern piece I had the chance to photograph. Stunning rainbow toning, never seen anything like it.
20260916_145545-EDIT.png.a55d3dffc48b45c7f35c64482f64ea77.png

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Posted (edited)

Silver is always going to be better than gold for toning, due to the latter's relative resistance to chemical reaction. Toned gold is usually due to the copper mixed to produce the correct fineness. As you will be aware, left to its own devices and in a fairly clean environment, it will mostly turn black from silver oxide.

Establish what the chemicals responsible for the colour scheme were and you probably have a good indicator of London's atmospheric constituents since Victorian time, though the toning stripe that looks like Britannia let one go, is probably from the fabrics found in a mint set. Though as always, a lot depends on the angle of the shot relative to light source.

15 or 20 years ago, I posted a picture taken one sunny day when I had a tray of Soho patterns on the desk, and the various colours reflected onto the ceiling enabled me to individually identify all the pieces using colour alone. There was a mixture of copper, bronzed, gilt and silver, but all were distinctively coloured. I think I lost the image a few years ago when photobucket went dysfunctional, so will have to wait for the sun to make another appearance unless someone can locate it on the forum.

Having said all that, the one below is an oil painting in most lights and from most angles. Apologies to those who have already seen it.

 

c1450-1797 pattern halfpenny P1169 R59 TYPE EXAMPLE.JPG

Edited by Rob
  • Like 2
Posted
1 hour ago, Rob said:

Silver is always going to be better than gold for toning, due to the latter's relative resistance to chemical reaction. Toned gold is usually due to the copper mixed to produce the correct fineness. As you will be aware, left to its own devices and in a fairly clean environment, it will mostly turn black from silver oxide.

Establish what the chemicals responsible for the colour scheme were and you probably have a good indicator of London's atmospheric constituents since Victorian time, though the toning stripe that looks like Britannia let one go, is probably from the fabrics found in a mint set. Though as always, a lot depends on the angle of the shot relative to light source.

15 or 20 years ago, I posted a picture taken one sunny day when I had a tray of Soho patterns on the desk, and the various colours reflected onto the ceiling enabled me to individually identify all the pieces using colour alone. There was a mixture of copper, bronzed, gilt and silver, but all were distinctively coloured. I think I lost the image a few years ago when photobucket went dysfunctional, so will have to wait for the sun to make another appearance unless someone can locate it on the forum.

Having said all that, the one below is an oil painting in most lights and from most angles. Apologies to those who have already seen it.

 

c1450-1797 pattern halfpenny P1169 R59 TYPE EXAMPLE.JPG

WOW that is a gorgeous one!! I love Soho Mint pieces. And... a tray of patterns you say? 👀

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