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Mr T

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Posts posted by Mr T


  1. 6 hours ago, Rob said:

    We therefore have to consider the alternatives. Anyone familiar with colonial issues that could match the size seen? A third option could be a TPG error - a regular penny inadvertently slabbed in a halfpenny holder, with the missing bits hidden in a polymer sandwich :ph34r:

    That's more likely - maybe Guyana or Cypress?

    I didn't hunt down a bigger picture but I can't see fishtailing on the letters which is supposed to confirm an undersize planchet I thought.


  2. On 11/23/2021 at 12:51 PM, VickySilver said:

    I would be most interested if you would be able to photograph one, I am waiting to see an unequivocal matte after 1977 - not including some of the satiny coins like the 1984 Liberia & some of those later BVI issues that are not IMHO matte.

    I'll have to dig out what I have at some point but I've never purchased anything specifically as a matte - have you ever seen an unbroken cardboard set with matte coins in it? My memory may be playing tricks on me but maybe I saw one on ebay years ago.

    And what does a matte actually look like? I know the uncirculated coins have a brilliant finish and proofs have cameo surfaces with frosted designs.


  3. On 11/15/2021 at 9:29 AM, Nick said:

    It's just a quirk of timing.  Some 1920 sixpences and threepences were minted just before the change to 50% silver was made.  I'm not aware of any other denominations being produced in sterling silver, but it is, of course, possible.

    Differentiating .500 and .925 is easy in raw form (based on ring), but impossible if slabbed.

    This got me thinking - was it just Davies' observation of both types of threepence and sixpence or had only threepence and sixpence production started when the alloy was changed?


  4. 10 hours ago, secret santa said:

    I'm inclined to take this with a pinch of salt. I'm not totally convinced that there's a deliberate design difference between obverse 11 and 12 let alone an additional obverse 11*. A high resolution photograph of a high grade example is essential before we accept this.

    I don't disagree, but the comparators did seem more helpful than the subjective neck thickness and nose hookedness.

    Does anyone have Iain Dracott's details to get some more information?


  5. So 11* is new - probably need a photo to make sense of it but a recut tie ribbon and overlapping berries make it sound a bit easier to diagnose than Freeman obverses 11 and 12.

    1877 13+N also looks new though I'm not sure what the comment is getting as the obverse and reverse are both well-known.

    1880 15+O* also looks new but based on the comment about all four die pairings, 15*+P* would seem to be the die. Or maybe it's meant to be 1881 where 15+O* was reported by him in 2004. Also I assume O* is Dracott O#.

    Nothing new in the farthings that I can see.

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